Video & Press

If you're not able to visit the Library Company to see the exhibit, you can watch the finished animation on Vimeo: http://vimeo.com/librarycompany/rebelliousbird

 Also, I'd like to share some recent press. This project was mentioned in the New York Times and on the Art Blog.

Reception & Talk!

This Thursday we'll screen the animation and I'll discuss my creative process. Civil War re-enactor Wendy Ramsburg, the subject of my animation, will also speak. Please join us!

Thursday, June 2, 2011—Reception at 5:30 p.m., Program at 6:00 The Library Company of Philadelphia, 1314 Locust Street, Philadelphia, PA 19107

Finished

1,676 still photographs of 42 painted backgrounds + dozens of puppets = 1 completed 9-minute animation!

Repeats

I thought I'd show you some shots of my animation backdrops and puppets. To animate facial expressions, hand gestures, and other motion sequences, I make series of replaceable parts. I place each piece on a painted backdrop, snap a photo, swap the piece for another, and repeat. Here are a few examples from the upcoming animation.

The first image is a scene from my interview with Wendy the Civil War reenactor, the second will show a car entering a snowy driveway, and the third image will become a man poking a straw into a takeout cup of orange juice.

Laying Out Exhibition Cases

Reference Librarian Linda August and Curator of Prints and Photographs Sarah Weatherwax are collaborating on a small exhibition to accompany Jennifer Levonian's animated video. Women not only fought as men in the Civil War, they also concealed their gender to fight alongside men during the American Revolution and in other military conflicts. Women went to sea as male sailors, played theatrical roles written for male characters, and in one instance an African-American woman escaped from slavery disguised as a white man. The mannish woman, as well as the feminine man, was satirized in caricatures throughout the 19th century. Using material from both the book and graphic collections of the Library Company of Philadelphia, the exhibition will explore cross dressing and gender identity during the 18th and 19th centuries.

Busy

March is flying by and I've been busy painting the backgrounds for my animation.

Wendy in Disguise

As I continued to read about the topic of women soldiers in the Civil War, I learned that there are a number of women that disguise themselves as men to portray male soldiers in Civil War re-enactments. This discovery led me to the panhandle of West Virginia on a snowy January day to interview Wendy Ramsburg. Wendy has been portraying the role of a Confederate soldier in re-enactments since 1984. Our discussion inspired a portion of my animation. I made this painting of a photograph of Wendy in uniform.

Choosing a Topic

When I began to visit the Library Company’s Print Room to view the McAllister Collection of Civil War ephemera, I was both fascinated and overwhelmed by the collection and the scope of the subject. Not only did the Civil War seem much too epic an event to ever find an angle to explore in a short animation, but most of the materials and objects in the collection sent my mind reeling. In an accordion binder, there are sheets filled with ribbons mourning Lincoln’s assassination. I reached into another binder and pulled out the end of a noose used to hang a Confederate soldier.

I began reading about the history of the Civil War and I watched the Ken Burns miniseries. But it wasn’t until I was taking a break from research that I discovered my topic. I opened Stieg Larsson’s mystery novel The Girl Who Kicked the Hornet’s Nest and was fascinated by the first few lines:

An estimated 600 women served during the American Civil War. They had signed up disguised as men. Hollywood has missed a significant chapter of cultural history here—or is this history ideologically too difficult to deal with?

Popular culture is often a source of inspiration for my animations and this project has not been an exception. When I began the research process, I expected to unearth my animation’s topic from the 150-year-old materials in the Library Company’s collection. However, I found inspiration in Larsson’s widely read book.

Even though the history of the women soldiers of the Civil War was news to me, it seems to be well known to many. Fortunately, there are several excellent books on this subject. Some of them are:

They Fought like Demons: Women Soldiers in the American Civil War

by DeAnne Blanton and Lauren Cook

An Uncommon Soldier: The Civil War Letters of Sarah Rosetta Wakeman

by Lauren Cook

She Went to the Field: Women Soldiers of the Civil War by Bonnie Tsui

Armed with the bibliographies in the above books, I returned to the Library Company and was able to locate articles that mention women soldiers in two different issues of Frank Leslie’s Illustrated Newspaper from 1863.

Last month I went to West Virginia to interview a woman who has been disguising herself as a male soldier to participate in Civil War re-enactments for the past twenty-five years. In my next post, I’ll write about our visit.

Illustrating the Civil War

Jennifer recently visited the Library Company to look at some of our printed material, including Frank Leslie’s Illustrated Newspaper. Leslie’s was a heavily illustrated American literary and news serial founded in 1855. It portrayed the week’s events with large, striking, and sometimes sensational depictions. Circulation rose with coverage of events such as the shocking murder of New York dentist Harvey Burdell in 1857; John Brown’s raid, trial, and execution; and the 1860 Heenan-Sayers boxing match—the total fight edition sold 347,000 copies! But Leslie’s, along with competing illustrated papers like Harper’s Weekly and the New York Illustrated News, reached its peak during the Civil War. These publications brought images of the war into Americans’ homes. Leslie’s had as many as twelve correspondents at a time covering the war and more than eighty artists providing some 3,000 scenes of battles and military life.

Introductions

I’m Jennifer Levonian, a Philadelphia artist working in painting and cut-paper animation. The above self-portrait is a still from an animation I made last winter. Currently, I’m making an animation inspired by the Library Company’s magnificent collection of printed materials from the Civil War. It’s been such a pleasure visiting the Library Company and working with library staff over the past year. Next week, I’ll post about the process of choosing the topic of my current project. In the meantime, if you would like to view examples of my work, please visit my web site.

Until next week! ~Jennifer